Trắc nghiệm Reading Unit 3 lớp 12 Tiếng Anh Lớp 12

Câu 1:

Read the following passage and choose the best answer (A, B, C, D):
Pick any day in the Piazza del Duomo in the Italian city of Pisa, and you will undoubtedly spot a bunch of tourists posing for the same photo: hands outstretched towards the cathedral’s conspicuously tilting bell tower, as if they are supporting it with their sheer strength. The so-called Leaning Tower of Pisa is one of the most famous buildings in the world, although maybe not for the reasons its original architects would have wanted. In 1173, construction began on a white marble bell tower for the cathedral complex in Pisa, located between the Arno and Serchio rivers in Tuscany, central Italy. By the time builders had finished the third of eight planned stories about five years later, the tower’s foundation had begun to settle unevenly on the ground beneath it, a dense mixture of clay, sand and shells. As a result, the structure had begun to tilt visibly toward the south. Shortly after that, war broke out between Pisa and Genoa, another Italian city-state, halting construction for nearly a century. This delay allowed the foundation to settle further, likely prevented the bell tower’s premature collapse. When construction resumed, chief engineer Giovanni di Simone tried to compensate for the lean by adding extra masonry to the short side, but the additional weight caused the structure to tilt even further. The tower was officially completed around 1370, but its lean only increased over the next six centuries, becoming an integral part of the monument’s quirky appeal. Despite various attempts to reinforce it, Pisa’s tower continued to subside at a rate of some 0.05 inches per year, placing it in increasing danger of collapse. By 1990, it was leaning 5.5 degrees (or some 15 feet) from the perpendicular–the most extreme angle yet. That year, the monument was closed to visitors and the bells removed as engineers started extensive reparations to stabilize it. By siphoning earth from beneath and adding counterweights to the tower’s north end, they were able to reduce the lean to 13.5 feet, or 4.0 degrees from perpendicular. The straightening continued after the tower reopened in 2001, and in 2008 sensors showed the subsiding motion had stopped, after a total improvement of some 19 inches. Engineers now believe the Leaning Tower of Pisa will remain stable for some 200 years, barring an earthquake or other unpredictable disaster.
1. Which best serves as the title for the passage?

A. Cultural values of the Leaning Tower of Pisa.

B. Why does the Leaning Tower of Pisa lean?

C. Who designed the Leaning Tower of Pisa?

D. The biggest structural failure in the history
Câu 2:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
8. Where in the passage does the author tell how light houses in the Northeast were fastened to the surrounding rock?

A. Paragraph 1

B. Paragraph 2

C. Paragraph 3

D. Paragraph 4
Câu 3:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
7. The highlighted word "erected" in the passage is closest in meaning to _______

A. found

B. built

C. created

D. invented
Câu 4:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
6. It can be inferred from the passage that the Treasury Department, after assuming control of the lighthouses, improved which of the following?

A. The training of the lighthouse keepers

B. The sturdiness of the lighthouses

C. The visibility of the lights

D. The locations of the lighthouses
Câu 5:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
5. The highlighted word "they" in the passage refers to __________ .

A. lighthouses

B. differences

C. quarters

D. features
Câu 6:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
4. According to the passage, where can the tallest brick lighthouse in the United States be found?

A. Little Brewster Island

B. The Florida Keys

C. Cape Hatteras

D. Cape Cod
Câu 7:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
3. It can be inferred from the passage that light-houses in the Northeast did not need high towers because _______

A. ships there had high masts

B. coastal waters were safe

C. the coast was straight and unobstructed

D. the lighthouse were built on high places
Câu 8:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
2. Why does the author mention the Massachusetts Bay Colony?

A. It was the headquarters of the United States Lighthouse Board.

B. Many of the tallest lighthouses were built there.

C. The first lantern wicks were developed there.

D. The first lighthouse in North America was built there.
Câu 9:

Read the following passage and choose the best answer (A, B, C, D):
The United States has had approximately a thousand lights as well as light towers, range lights, and pier head lights. Michigan has the most lights of any state with over 150 past and present lights. Most of the lights in the United States have been built and maintained by the Coast Guard. As navigation has declined and as public interest in them has increased, the Coast Guard has been handing over ownership to other parties. The first navigational lights in the New World were probably lanterns hung at harbor entrances. The first lighthouse was put up by the Massachusetts Bay Colony In 1766 on Little Brewster Island at the entrance to Boston Harbor. Paid for and maintained by light dues levied on ships, the original beacon was blown up in 1776. By then there were only a dozen or so true lighthouses in the colonies. Little over a century later, there were 700 lighthouses. The first eight erected on the West Coast in the 1850’s featured the same basic New England design: a Cape Cod dwelling with the tower rising from the center or standing close by. In New England and elsewhere, though, lighthouses reflected a variety of architectural styles. Since most stations in the Northeast were built on rocky eminences, enormous towers were not the rule. Some were made of stone and brick, others of wood or metal. Some stood on pilings or stilts: some were fastened to rock with iron rods. Farther south, from Maryland through the Florida Keys, the coast was low and sandy. It was often necessary to build tall towers there - massive structures like the majestic Cape Hatteras, North Carolina lighthouse, which was lit in 1870. At 190 feet, it is the tallest brick lighthouse in the country. Notwithstanding differences in appearance and construction, most American lighthouses shared several features: a light, living quarters, and sometimes a bell (or, later, a foghorn). They also had something else in common: a keeper and, usually, the keeper’s family. The keeper’s essential task was trimming the lantern Nick in order to maintain a steady bright flame. The earliest keepers came from every walk of life-they were seamen. Farmers, mechanics, rough mill hands-and appointments were often handed out by local customs commissioners as political plums. After the administration of lighthouses was taken over in 1852 by the United States Lighthouse 803rd, an agency of the Treasury Department, the keeper corps gradually became highly professional.
1. Which of the following is the best title for the passage?

A. The Lighthouse on Little Brewster Island

B. The Life of a Lighthouse Keeper

C. Early Lighthouses in the United States

D. The Modern Profession of Lighthouse Keeping
Câu 10:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
8. Which of the following can be inferred from the passage?

A. It is unsurprising that the grandiose spectacles of the Colosseum were abandoned.

B. The Colosseum continues to be a leading attraction for tourists from all over the world.

C. The Colosseum is the largest and most symbolic amphitheater of the Roman world.

D. Few degradations of the structure were man-made, mostly came from natural disasters
Câu 11:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
7. The word “its” in paragraph 3 refers to _____.

A. space’s

B. enjoyment’s

C. animal’s

D. venatio’s
Câu 12:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
6. The word “ostentatious” in paragraph 3 can be replaced by _______

A. plain

B. tinsel

C. indecent

D. theatrical
Câu 13:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
5. Which of the following statements is TRUE, according to the passage?

A. The monument consisted of 80 enters and 80 exits in total for both the royalty and the citizens.

B. The Colosseum stands out from other edifices due to its independence from support.

C. The Colosseum was inaugurated in 70 AD by the son of Vespasian, after his father’s death.

D. The Colosseum is over 3,000 years old and stands as the second largest amphitheater ever built.
Câu 14:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
4. According to paragraph 2, what meaning does the positional arrangement for the Roman beholders communicate?

A. It reveals the regime of separate classes having different access to resources and power.

B. It follows the principle that the higher the seating, the better the generalization of situation

C. It presents the enormous wealth of the Roman empire under the Flavian dynasty.

D. It conveys the intrinsic cultural value of creating a harmonization between classes.
Câu 15:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
3. According to paragraph 1, how many reigns of emperors was the construction of the Colosseum been through?

A. 1

B. 2

C. 3

D. 4
Câu 16:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
2. The word “tier” in paragraph 1 can be replaced by_______

A. storey

B. echelon

C. grade

D. row
Câu 17:

Read the following passage and choose the best answer (A, B, C, D):
The Colosseum was constructed over a short decade, between 70-80 AD, by up to 100,000 slaves. Its building was overseen by different emperors who ruled under the Imperial Flavian dynasty, lending the structure its original name. Emperor Vespasian began the construction of the Flavian Amphitheater and his son Titus oversaw the construction of an additional tier after his death in 79 AD. His youngest son Domitian constructed the underground tunnels and added an extra level to increase its seating capacity. The amphitheater takes its more commonly attributed name from the Colossus of Nero, an enormous bronze statue of the Emperor which was located beside the structure. The Colosseum was a recreational and gathering space that was used for gladiatorial contests, public spectacles, historical re-enactments, mythological theatrical performances and of course, executions. It could hold between 50,000 to 80,000 spectators and the seating arrangements reflect the stratification of Roman society: senators were seated closest to the stage while the poorest Roman citizens (and women) stood at the highest level. Its skilled architects developed an ingenious design which included 80 entrances and exits with a numbering system to allow access in and out of the structure. Unlike most ancient amphitheaters which were built into hillsides for support, the Colosseum is so impressive because it is a freestanding structure: it is made of travertine stone that was sourced from the nearby Tivoli area and held together with iron clamps. The Colosseum is most closely associated with its gladiatorial shows, although often the combatants were not skilled professionals but rather unlucky slaves and criminals pitted against each other for the enjoyment of the public. In fact the venatio, or animal hunt, was one of the most popular shows for its novelty and shock appeal. Always in pursuit of ostentatious displays of wealth and power, the Romans procured exotic animals such as elephants, giraffes, lions, bears and crocodiles from the far reaches of the empire and sent them out into the pit, often along with unfortunate souls who would be torn to pieces. During the inaugural games of the Colosseum, most likely held in 80 AD, over 9,000 animals are believed to have been killed. The Romans also constructed elaborate stage sets on the arena floor, simulating forests and other natural environments, as backdrops to the events taking place.
1. Which best serves as the title for the passage?

A. Impacts the Colosseum had on Roman social values.

B. Clashes over the management of Colosseum.

C. Rome development and location of the Colosseum.

D. History of a grand amphitheater – the Colosseum
Câu 18:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
8. Which of the following can be inferred from the passage?

A. The intact artefacts will allow researchers to understand changes over time at the site.

B. The condition of its inscription has been perfectly maintained in the face of time.

C. Throughout its nearly 1,000-year history, different peoples have left their mark on the city

D. It is highly likely that the history of Chichen Itza may remain in shadow in years to come.
Câu 19:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
7. The word “deterioration” in paragraph 4 is closest in meaning to _______

A. emaciation

B. dilapidation

C. putrefaction

D. decomposition
Câu 20:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
6. The following statements are true, EXCEPT_______

A. The first settlement of Chichen Itza is the focus of archaeologist researching the area

B. In the 1400s people forsook Chichen Itza, leaving behind amazing works of architecture and art.

C. The brilliant ruins of Chichen Itza evidence a dazzling ancient city that once centered the Maya empire.

D. Though the historical records do exist, dates documented were several years apart
Câu 21:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
5. According to paragraph 3, what is the proof of cultural integration between the two civilisations?

A. The Mayan marks are ubiquitous in the buildings yet no architecture exhibits Toltec influence.

B. There are two different areas in Chichén Itzá, evidenced by the different types of architecture.

C. Kukulkán brought the Toltec to Chichen Itza the beliefs and practices of human sacrifice.

D. The Toltec ruled at Chichen Itza until the city was mysteriously abandoned in roughly AD 1200.
Câu 22:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
4. The word “others” in paragraph 1 refers to ____

A. waters

B. cavities

C. manuscripts

D. monuments
Câu 23:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
3. The word “corresponded” in paragraph 2 is closest in meaning to _______

A. suited

B. signified

C. represented

D. paralleled
Câu 24:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
2. According to paragraph 1, what is NOT mentioned about the city Chichen Itza?

A. Chichen Itza was built in an area of rough terrain that was leveled to accommodate larger structures.

B. Chichen Itza was built due to its close proximity to the cenote, an underground source of fresh water.

C. The Nunnery and Akab Dzib, Chichan Chob were erected between the 6th and the 10th centuries.

D. The history of Chichen Itza can be traced back to the Classic period of Mayan civilization.
Câu 25:

Read the following passage and choose the best answer (A, B, C, D):
The town of Chichen-Itza was established during the Classic period close to two natural cavities (cenotes or chenes), which gave the town its name “At the edge of the well of the Itzaes”. The cenotes facilitated tapping the underground waters of the area. The dates for this settlement vary according to subsequent local accounts: one manuscript gives 415-35 A.D., while others mention 455 A.D. The town that grew up around the sector known as Chichen Viejo already boasted important monuments of great interest: the Nunnery, the Church, Akab Dzib, Chichan Chob, the Temple of the Panels and the Temple of the Deer. They were constructed between the 6th and the 10th centuries in the characteristic Maya style then popular both in the northern and southern areas of the Puuc hills. The second settlement of Chichen-Itza, and the most important for historians, corresponded to the migration of Toltec warriors from the Mexican plateau towards the south during the 10th century. According to the most common version, the King of Tula, Ce Acatl Topiltzin Quetzalcoatl, or Kukulkan as the Maya translated the name, reportedly took the city between 967 A.D. and 987 A.D. Following the conquest of Yucatán a new style blending the Maya and Toltec traditions developed, symbolizing the phenomenon of acculturation. Chichen-Itza is a clear illustration of this fusion. Specific examples are, in the group of buildings to the south, the Caracol, a circular stellar observatory whose spiral staircase accounts for its name, and, to the north, El Castillo. Surrounding El Castillo are terraces where the major monumental complexes were built: on the north-west are the Great Ball Court, Tzompantli or the Skull Wall, the temple known as the Jaguar Temple, and the House of Eagles; on the north-east are the Temple of the Warriors, the Group of the Thousand Columns, the Market and the Great Ball Court; on the south-west is the Tomb of the High Priest. After the 13th century no major monuments seem to have been constructed at Chichen-Itza and the city rapidly declined after around 1440 A.D. From its abandonment during the 15th century, Chichen-Itza underwent a process of gradual deterioration until the first excavations at the site began more than a century ago. Nevertheless, the excellent materials and building techniques used by the Maya in the construction of the buildings secured that the architectonic, sculptural and pictorial essence of Chichen-Itza would be conserved through the centuries
1. Which best serves as the title for the passage?

A. How to explore the famed Chichen Itza.

B. Integrity and authenticity of Chichen Itza.

C. Cave of relics under ruins of Chichen Itza.

D. The pre-Hispanic city of ChichenItza.
Câu 26:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
8. Which of the following can be inferred from the passage?

A. The fabled Stonehenge was discovered by an ordinary restoration worker.

B. Rock and stone are considered the DNA in the field of archaeology.

C. Stonehenge’s waste material may act as a valuable lead for geologists.

D. A big chunk of famous heritage was stolen more than 6 decades ago
Câu 27:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
7. The word “ceremonial” in paragraph 4 is closest in meaning to _______

A. liturgical

B. official

C. traditional

D. dignified
Câu 28:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
6. Which of the following statements is TRUE, according to the passage?

A. The mass of the Stonehenge amounts to approximately 38 tons in total.

B. Robert Phillips was the chief manager for the Stonehenge’s restoration project.

C. The world renowned heritage site welcomes over 1.5 million visitors per annum.

D. Despite centuries of speculation, the Stonehenge remains shrouded in mystery.
Câu 29:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
5. According to paragraph 3, why were the archaeologists taken aback by the Phillips’ notification?

A. Archaeologists presumed that no one would ever surrender the possession of such one-of-a-kind stones.

B. The last thing archaeologists ever expected was to get a call from someone telling they had a piece of Stonehenge

C. The piece could be a unique opportunity to analyze the unweathered interior of a stone, potentially offering fresh clues.

D. The other two pieces were recovered ages before Robert’s appearance and offer to return
Câu 30:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
4. According to paragraph 2, why was Lewis and Robin’s father offered to keep a piece of Stonehenge?

A. His children pleaded with Robert to file for a permission to keep the core as a memento

B. The core was replaced by metal rods inserted to keep the stone standing, which was his idea

C. The British government considered the spare and useless parts as a bad omen.

D. Robert Phillips was an employee from the company that carried out the repairs.
Câu 31:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
3. The word “distinctive” in paragraph 1 is closest in meaning to _______

A. beautiful

B. common

C. unique

D. idiosyncratic
Câu 32:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
2. The word “they” in paragraph 1 refers to _____

A. samples

B. stones

C. cores

D. geologists
Câu 33:

Read the following passage and choose the best answer (A, B, C, D):
Stonehenge, the prehistoric stone circle in southern England, is one of the most distinctive and mysterious monuments in the world. The monument, which attracted more than one and a half million visitors last year, is thought to be up to 5,000 years old, and the heaviest stone weighs 38 tons. No one really knows how the stones got there, or the reason they look the way they do – but a piece removed from one of the stones six decades ago could bring some answers. At first glance, the new “discovery” - a cylinder of rock - might look unremarkable. But for Lewis and Robin Phillips, it meant one thing: their dad, Robert. In 1958, Robert Phillips worked on a major restoration project commissioned by the British government. The goal was to make the monument safer, and help historians better understand what Stonehenge was and why it was there. The team drilled through the largest of the sarsen rocks, removing three stone cores. Robert Phillips was gifted one as a souvenir. At the time, the core sample was considered to be “waste material,” Lewis said. “I think that the standards of the day, in conservation, were a bit different to what they are now,” Robert added. Six decades later, Robert - who’s now in his 90s - asked his sons to return the “waste material.” But what had become a family heirloom for the Phillips’ was “the Holy Grail” of Stonehenge for geologists, according to Susan Greaney, an archaeologist at English Heritage. “When the Phillips family first got in touch with us, we had no idea that this existed,” Greaney said. “We’d just assumed that they’d been thrown away.” In 1958, samples like this couldn’t provide much information - but now, Greaney added, it can help archaeologists understand where the stones were from and how they were transported. It could even provide clues to one of the biggest questions: why move all these rocks to one location? Right now, “we don’t know” is the answer to that, Greaney said. "We think this is a prehistoric temple. It’s aligned with the movements of the sun, so we think it’s some kind of ceremonial space. But exactly what the stones mean, why they built them in this way and set them up in the way we see today, there are lots of mysteries about Stonehenge that we have yet to get to the bottom of.
1. Which best serves as the title for the passage?

A. Missing piece of Stonehenge monument returned.

B. The core of Stonehenge travelling over the world and back.

C. Architects pondering over the origin of Stonehenge.

D. Restoration work being done improperly.
Câu 34:

Read the following passage and choose the best answer (A, B, C, D):
When Gustave Eiffel’s company built Paris’ most recognizable monument for the 1889 World’s Fair, many regarded the massive iron structure with skepticism. Today, the Eiffel Tower, which continues to serve an important role in television and radio broadcasts, is considered an architectural wonder and attracts more visitors than any other paid tourist attraction in the world. In 1889, Paris hosted an Exposition Universelle (World’s Fair) to mark the 100-year anniversary of the French Revolution. More than 100 artists submitted competing plans for a monument to be built on the Champ-de-Mars, located in central Paris, and serve as the exposition’s entrance. The commission was granted to Eiffel et Compagnie, a consulting and construction firm owned by the acclaimed bridge builder, architect and metals expert Alexandre-Gustave Eiffel. While Eiffel himself often receives full credit for the monument that bears his name, it was one of his employees - a structural engineer named Maurice Koechlin—who came up with and fine-tuned the concept. Several years earlier, the pair had collaborated on the Statue of Liberty’s metal armature. Eiffel reportedly rejected Koechlin’s original plan for the tower, instructing him to add more ornate flourishes. The final design called for more than 18,000 pieces of puddle iron, a type of wrought iron used in construction, and 2.5 million rivets. Several hundred workers spent two years assembling the framework of the iconic lattice tower, which at its inauguration in March 1889 stood nearly 1,000 feet high, and was the tallest structure in the world - a distinction it held until the completion of New York City’s Chrysler Building in 1930. In 1957, an antenna was added that increased the structure’s height by 65 feet, making it taller than the Chrysler Building but not the Empire State Building, which had surpassed its neighbor in 1931. Initially, only the Eiffel Tower’s second-floor platform was open to the public; later, all three levels, two of which now feature restaurants, would be reachable by stairway or one of eight elevators. Millions of visitors during and after the World’s Fair marveled at Paris’ newly erected architectural wonder. Not all of the city’s inhabitants were as enthusiastic, however: Many Parisians either feared it was structurally unsound or considered it an eyesore. The novelist Guy de Maupassant, for example, allegedly hated the tower so much that he often ate lunch in the restaurant at its base, the only vantage point from which he could completely avoid glimpsing its looming silhouette.
8. According to the passage, which of the following statements about Eiffel Tower is TRUE?

A. Alexandre-Gustave Eiffel was the one who came up with and fine-tuned the design of the tower

B. The tower was completed in March 1889 stood nearly 1,000 meters high, and was the tallest structure in the world.

C. Initially, only two platforms of the Eiffel Tower’s was open to the public.

D. Not all of Parisians have optimistic ideas about Eiffel Tower.
Câu 35:

Read the following passage and choose the best answer (A, B, C, D):
When Gustave Eiffel’s company built Paris’ most recognizable monument for the 1889 World’s Fair, many regarded the massive iron structure with skepticism. Today, the Eiffel Tower, which continues to serve an important role in television and radio broadcasts, is considered an architectural wonder and attracts more visitors than any other paid tourist attraction in the world. In 1889, Paris hosted an Exposition Universelle (World’s Fair) to mark the 100-year anniversary of the French Revolution. More than 100 artists submitted competing plans for a monument to be built on the Champ-de-Mars, located in central Paris, and serve as the exposition’s entrance. The commission was granted to Eiffel et Compagnie, a consulting and construction firm owned by the acclaimed bridge builder, architect and metals expert Alexandre-Gustave Eiffel. While Eiffel himself often receives full credit for the monument that bears his name, it was one of his employees - a structural engineer named Maurice Koechlin—who came up with and fine-tuned the concept. Several years earlier, the pair had collaborated on the Statue of Liberty’s metal armature. Eiffel reportedly rejected Koechlin’s original plan for the tower, instructing him to add more ornate flourishes. The final design called for more than 18,000 pieces of puddle iron, a type of wrought iron used in construction, and 2.5 million rivets. Several hundred workers spent two years assembling the framework of the iconic lattice tower, which at its inauguration in March 1889 stood nearly 1,000 feet high, and was the tallest structure in the world - a distinction it held until the completion of New York City’s Chrysler Building in 1930. In 1957, an antenna was added that increased the structure’s height by 65 feet, making it taller than the Chrysler Building but not the Empire State Building, which had surpassed its neighbor in 1931. Initially, only the Eiffel Tower’s second-floor platform was open to the public; later, all three levels, two of which now feature restaurants, would be reachable by stairway or one of eight elevators. Millions of visitors during and after the World’s Fair marveled at Paris’ newly erected architectural wonder. Not all of the city’s inhabitants were as enthusiastic, however: Many Parisians either feared it was structurally unsound or considered it an eyesore. The novelist Guy de Maupassant, for example, allegedly hated the tower so much that he often ate lunch in the restaurant at its base, the only vantage point from which he could completely avoid glimpsing its looming silhouette.
7. The word “allegedly” in the last paragraph can best be replaced by _____

A. scholarly

B. officially

C. reportedly

D. expectedly
Câu 36:

Read the following passage and choose the best answer (A, B, C, D):
When Gustave Eiffel’s company built Paris’ most recognizable monument for the 1889 World’s Fair, many regarded the massive iron structure with skepticism. Today, the Eiffel Tower, which continues to serve an important role in television and radio broadcasts, is considered an architectural wonder and attracts more visitors than any other paid tourist attraction in the world. In 1889, Paris hosted an Exposition Universelle (World’s Fair) to mark the 100-year anniversary of the French Revolution. More than 100 artists submitted competing plans for a monument to be built on the Champ-de-Mars, located in central Paris, and serve as the exposition’s entrance. The commission was granted to Eiffel et Compagnie, a consulting and construction firm owned by the acclaimed bridge builder, architect and metals expert Alexandre-Gustave Eiffel. While Eiffel himself often receives full credit for the monument that bears his name, it was one of his employees - a structural engineer named Maurice Koechlin—who came up with and fine-tuned the concept. Several years earlier, the pair had collaborated on the Statue of Liberty’s metal armature. Eiffel reportedly rejected Koechlin’s original plan for the tower, instructing him to add more ornate flourishes. The final design called for more than 18,000 pieces of puddle iron, a type of wrought iron used in construction, and 2.5 million rivets. Several hundred workers spent two years assembling the framework of the iconic lattice tower, which at its inauguration in March 1889 stood nearly 1,000 feet high, and was the tallest structure in the world - a distinction it held until the completion of New York City’s Chrysler Building in 1930. In 1957, an antenna was added that increased the structure’s height by 65 feet, making it taller than the Chrysler Building but not the Empire State Building, which had surpassed its neighbor in 1931. Initially, only the Eiffel Tower’s second-floor platform was open to the public; later, all three levels, two of which now feature restaurants, would be reachable by stairway or one of eight elevators. Millions of visitors during and after the World’s Fair marveled at Paris’ newly erected architectural wonder. Not all of the city’s inhabitants were as enthusiastic, however: Many Parisians either feared it was structurally unsound or considered it an eyesore. The novelist Guy de Maupassant, for example, allegedly hated the tower so much that he often ate lunch in the restaurant at its base, the only vantage point from which he could completely avoid glimpsing its looming silhouette.
6. According to paragraph 3, what was the reason why Gustave Eiffel rejected Koechlin’s original plan for the tower?

A. Gustave Eiffel wanted more decorating details for the design of the tower.

B. Koechlin’s original plan required too much material.

C. The plan used the framework of the iconic lattice.

D. The plan designed a tower that was not high enough
Câu 37:

Read the following passage and choose the best answer (A, B, C, D):
When Gustave Eiffel’s company built Paris’ most recognizable monument for the 1889 World’s Fair, many regarded the massive iron structure with skepticism. Today, the Eiffel Tower, which continues to serve an important role in television and radio broadcasts, is considered an architectural wonder and attracts more visitors than any other paid tourist attraction in the world. In 1889, Paris hosted an Exposition Universelle (World’s Fair) to mark the 100-year anniversary of the French Revolution. More than 100 artists submitted competing plans for a monument to be built on the Champ-de-Mars, located in central Paris, and serve as the exposition’s entrance. The commission was granted to Eiffel et Compagnie, a consulting and construction firm owned by the acclaimed bridge builder, architect and metals expert Alexandre-Gustave Eiffel. While Eiffel himself often receives full credit for the monument that bears his name, it was one of his employees - a structural engineer named Maurice Koechlin—who came up with and fine-tuned the concept. Several years earlier, the pair had collaborated on the Statue of Liberty’s metal armature. Eiffel reportedly rejected Koechlin’s original plan for the tower, instructing him to add more ornate flourishes. The final design called for more than 18,000 pieces of puddle iron, a type of wrought iron used in construction, and 2.5 million rivets. Several hundred workers spent two years assembling the framework of the iconic lattice tower, which at its inauguration in March 1889 stood nearly 1,000 feet high, and was the tallest structure in the world - a distinction it held until the completion of New York City’s Chrysler Building in 1930. In 1957, an antenna was added that increased the structure’s height by 65 feet, making it taller than the Chrysler Building but not the Empire State Building, which had surpassed its neighbor in 1931. Initially, only the Eiffel Tower’s second-floor platform was open to the public; later, all three levels, two of which now feature restaurants, would be reachable by stairway or one of eight elevators. Millions of visitors during and after the World’s Fair marveled at Paris’ newly erected architectural wonder. Not all of the city’s inhabitants were as enthusiastic, however: Many Parisians either feared it was structurally unsound or considered it an eyesore. The novelist Guy de Maupassant, for example, allegedly hated the tower so much that he often ate lunch in the restaurant at its base, the only vantage point from which he could completely avoid glimpsing its looming silhouette.
5. The word “which” in paragraph 4 refers to ______

A. The Chrysler Building

B. The Empire State Building

C. The structure’s height

D. An antenna
Câu 38:

Read the following passage and choose the best answer (A, B, C, D):
When Gustave Eiffel’s company built Paris’ most recognizable monument for the 1889 World’s Fair, many regarded the massive iron structure with skepticism. Today, the Eiffel Tower, which continues to serve an important role in television and radio broadcasts, is considered an architectural wonder and attracts more visitors than any other paid tourist attraction in the world. In 1889, Paris hosted an Exposition Universelle (World’s Fair) to mark the 100-year anniversary of the French Revolution. More than 100 artists submitted competing plans for a monument to be built on the Champ-de-Mars, located in central Paris, and serve as the exposition’s entrance. The commission was granted to Eiffel et Compagnie, a consulting and construction firm owned by the acclaimed bridge builder, architect and metals expert Alexandre-Gustave Eiffel. While Eiffel himself often receives full credit for the monument that bears his name, it was one of his employees - a structural engineer named Maurice Koechlin—who came up with and fine-tuned the concept. Several years earlier, the pair had collaborated on the Statue of Liberty’s metal armature. Eiffel reportedly rejected Koechlin’s original plan for the tower, instructing him to add more ornate flourishes. The final design called for more than 18,000 pieces of puddle iron, a type of wrought iron used in construction, and 2.5 million rivets. Several hundred workers spent two years assembling the framework of the iconic lattice tower, which at its inauguration in March 1889 stood nearly 1,000 feet high, and was the tallest structure in the world - a distinction it held until the completion of New York City’s Chrysler Building in 1930. In 1957, an antenna was added that increased the structure’s height by 65 feet, making it taller than the Chrysler Building but not the Empire State Building, which had surpassed its neighbor in 1931. Initially, only the Eiffel Tower’s second-floor platform was open to the public; later, all three levels, two of which now feature restaurants, would be reachable by stairway or one of eight elevators. Millions of visitors during and after the World’s Fair marveled at Paris’ newly erected architectural wonder. Not all of the city’s inhabitants were as enthusiastic, however: Many Parisians either feared it was structurally unsound or considered it an eyesore. The novelist Guy de Maupassant, for example, allegedly hated the tower so much that he often ate lunch in the restaurant at its base, the only vantage point from which he could completely avoid glimpsing its looming silhouette.
4. According to paragraph 2, which of the following is NOT mentioned as Alexandre-Gustave Eiffel’s occupation?

A. Bridge builder

B. Architect

C. Structural engineer

D. Metals expert
Câu 39:

Read the following passage and choose the best answer (A, B, C, D):
When Gustave Eiffel’s company built Paris’ most recognizable monument for the 1889 World’s Fair, many regarded the massive iron structure with skepticism. Today, the Eiffel Tower, which continues to serve an important role in television and radio broadcasts, is considered an architectural wonder and attracts more visitors than any other paid tourist attraction in the world. In 1889, Paris hosted an Exposition Universelle (World’s Fair) to mark the 100-year anniversary of the French Revolution. More than 100 artists submitted competing plans for a monument to be built on the Champ-de-Mars, located in central Paris, and serve as the exposition’s entrance. The commission was granted to Eiffel et Compagnie, a consulting and construction firm owned by the acclaimed bridge builder, architect and metals expert Alexandre-Gustave Eiffel. While Eiffel himself often receives full credit for the monument that bears his name, it was one of his employees - a structural engineer named Maurice Koechlin—who came up with and fine-tuned the concept. Several years earlier, the pair had collaborated on the Statue of Liberty’s metal armature. Eiffel reportedly rejected Koechlin’s original plan for the tower, instructing him to add more ornate flourishes. The final design called for more than 18,000 pieces of puddle iron, a type of wrought iron used in construction, and 2.5 million rivets. Several hundred workers spent two years assembling the framework of the iconic lattice tower, which at its inauguration in March 1889 stood nearly 1,000 feet high, and was the tallest structure in the world - a distinction it held until the completion of New York City’s Chrysler Building in 1930. In 1957, an antenna was added that increased the structure’s height by 65 feet, making it taller than the Chrysler Building but not the Empire State Building, which had surpassed its neighbor in 1931. Initially, only the Eiffel Tower’s second-floor platform was open to the public; later, all three levels, two of which now feature restaurants, would be reachable by stairway or one of eight elevators. Millions of visitors during and after the World’s Fair marveled at Paris’ newly erected architectural wonder. Not all of the city’s inhabitants were as enthusiastic, however: Many Parisians either feared it was structurally unsound or considered it an eyesore. The novelist Guy de Maupassant, for example, allegedly hated the tower so much that he often ate lunch in the restaurant at its base, the only vantage point from which he could completely avoid glimpsing its looming silhouette.
3. The word “granted” in paragraph 1 is closest in meaning to ______

A. accepted

B. awarded

C. allowed

D. admitted
Câu 40:

Read the following passage and choose the best answer (A, B, C, D):
When Gustave Eiffel’s company built Paris’ most recognizable monument for the 1889 World’s Fair, many regarded the massive iron structure with skepticism. Today, the Eiffel Tower, which continues to serve an important role in television and radio broadcasts, is considered an architectural wonder and attracts more visitors than any other paid tourist attraction in the world. In 1889, Paris hosted an Exposition Universelle (World’s Fair) to mark the 100-year anniversary of the French Revolution. More than 100 artists submitted competing plans for a monument to be built on the Champ-de-Mars, located in central Paris, and serve as the exposition’s entrance. The commission was granted to Eiffel et Compagnie, a consulting and construction firm owned by the acclaimed bridge builder, architect and metals expert Alexandre-Gustave Eiffel. While Eiffel himself often receives full credit for the monument that bears his name, it was one of his employees - a structural engineer named Maurice Koechlin—who came up with and fine-tuned the concept. Several years earlier, the pair had collaborated on the Statue of Liberty’s metal armature. Eiffel reportedly rejected Koechlin’s original plan for the tower, instructing him to add more ornate flourishes. The final design called for more than 18,000 pieces of puddle iron, a type of wrought iron used in construction, and 2.5 million rivets. Several hundred workers spent two years assembling the framework of the iconic lattice tower, which at its inauguration in March 1889 stood nearly 1,000 feet high, and was the tallest structure in the world - a distinction it held until the completion of New York City’s Chrysler Building in 1930. In 1957, an antenna was added that increased the structure’s height by 65 feet, making it taller than the Chrysler Building but not the Empire State Building, which had surpassed its neighbor in 1931. Initially, only the Eiffel Tower’s second-floor platform was open to the public; later, all three levels, two of which now feature restaurants, would be reachable by stairway or one of eight elevators. Millions of visitors during and after the World’s Fair marveled at Paris’ newly erected architectural wonder. Not all of the city’s inhabitants were as enthusiastic, however: Many Parisians either feared it was structurally unsound or considered it an eyesore. The novelist Guy de Maupassant, for example, allegedly hated the tower so much that he often ate lunch in the restaurant at its base, the only vantage point from which he could completely avoid glimpsing its looming silhouette.
2. According to paragraph 1, what was the reason for the construction of Eifel Tower?

A. Paris city needed a recognizable monument for the 1889 World’s Fair.

B. Gustave Eiffel’s company wanted to build a massive iron structure.

C. It was necessary to build a tower for broadcasting television and radio.

D. The tower was built to attract more visitors to Paris
Câu 41:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
8. According to the passage, which of the following statements about the Statue of Liberty is NOT true?

A. Frederic Auguste Bartholdi first proposed the idea of a monument for the United States in 1865

B. Lack of funds was a problem when constructing the statue on both sides of the Atlantic Ocean.

C. Pulitzer used his newspaper to criticize both the rich and the middle class to provide the funds.

D. The construction of the Statue of Liberty completed 10 years late as a centennial gift to America
Câu 42:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
7. According to paragraph 5, what did architect Richard Morris Hunt do to financially help constructing the Statue?

A. He donated cash.

B. He designed the statue pedestal free of charge.

C. He designed the statue without collecting any fee.

D. He donated material of granite to build the pedestal
Câu 43:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
6. The word “who” in paragraph 2 refers to ______

A. Pulitzer

B. the rich

C. the middle class

D. the wealthy
Câu 44:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
5. The word “colossal” in paragraph 3 can be best replaced by _____

A. uppermost

B. fantastic

C. classic

D. enormous
Câu 45:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
4. Lottery is mentioned in paragraph 2 as a way of _____

A. encouraging French people to be responsible for the construction of the statue

B. attracting people’s attention to the project

C. raising funds for the construction of the statue

D. creating a kind of entertainment for French people
Câu 46:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
3. The word “centennial” in paragraph 1 mostly means ______

A. The time when pubs can legally open

B. The time when a pub ends business for the day

C. The act or process of finishing something

D. The 100th anniversary of an event
Câu 47:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
2. According to paragraph 1, which of the following is the reason for making a monument for the United States?

A. The 100th commemoration of the American Declaration of Independence.

B. Frederic Auguste Bartholdi had to follow Frenchman Edouard de Laboulaye’s idea.

C. There must be a joint monument between America and France.

D. It was requested from the French Government.
Câu 48:

Read the following passage and choose the best answer (A, B, C, D):
Frenchman Edouard de Laboulaye first proposed the idea of a monument for the United States in 1865. Ten years later sculptor Frederic Auguste Bartholdi was commissioned to design a sculpture with 1876 in mind for completion, to commemorate the centennial of the American Declaration of Independence. The Statue was named “Liberty Enlightening the World” and was a joint effort between America and France. It was agreed that the American people were to build the pedestal, and the French people were responsible for the Statue and its assembly here in the United States. However, lack of funds was a problem on both sides of the Atlantic Ocean. In France, public fees, various forms of entertainment, and a lottery were among the methods used to raise funds. In the United States, benefit theatrical events, art exhibitions, auctions and prizefights assisted in providing needed funds. Poet Emma Lazarus wrote her famous sonnet “The New Colossus” in 1883 for the art and literary auction to raise funds for the Statue’s pedestal. Meanwhile in France, Bartholdi required the assistance of an engineer to address structural issues associated with designing such a colossal copper sculpture. Alexandre Gustave Eiffel (designer of the Eiffel Tower) was commissioned to design the massive iron pylon and secondary skeletal framework which allows the Statue’s copper skin to move independently yet stand upright Back in America, fundraising for the pedestal was going particularly slowly, so Joseph Pulitzer opened up the editorial pages of his newspaper, “The World,” to support the fund raising effort. Pulitzer used his newspaper to criticize both the rich who had failed to finance the pedestal construction and the middle class who were content to rely upon the wealthy to provide the funds. Pulitzer’s campaign of harsh criticism was successful in motivating the people of America to donate. Architect Richard Morris Hunt designed the Statue of Liberty’s granite pedestal in 1884, donating his fee to help fund the Statue. Financing for the pedestal was completed in August 1885, and pedestal construction was finished in April 1886. The Statue was completed in France in July 1884 and arrived in New York Harbor in June 1885 onboard the French frigate “Isere.” In transit, the Statue was reduced to 350 individual pieces and packed in 214 crates. The Statue was reassembled on her new pedestal in four months’ time. On October 28, 1886, President Grover Cleveland oversaw the dedication of the Statue of Liberty in front of thousands of spectators. She was a centennial gift ten years late
1. Which of the following does the passage mainly discuss?

A. A joint effort between America and France

B. Engineering, Construction, and Crossing the Atlantic of the Statue of Liberty

C. Statue of Liberty crossing Atlantic Ocean

D. Design of the Statue of Liberty
Câu 49:

Read the following passage and choose the best answer (A, B, C, D):
Around the world, Rio de Janeiro is famous for its beautiful beaches, and Carnival celebration. But the city is also known for its poor areas, known as favelas. For years, many favelas had high poverty and crime rates. However, things are starting to change. In the past, many favelas received very little government assistance. Neighbourhood residents had to build their own streets and homes. Gangs were also common, and so were guns. However, a new government plan is starting to change this. The city is sending thousands of police officers into favelas with the goal of driving out the gangs. In some favelas, the plan is already working. Crime is down, and unlike the past, children are playing in the streets again. New apartment buildings are being built, and the city is providing more services. “In 20 years,’ says police officer Leonardo Nogueira, “the children who live here now will be different people.” Police influence is changing the favelas, but something else is, too. Today, more Brazilians are moving into these neighbourhoods because housing is expensive in other parts of Rio. “Favelas are a place for young doctors without money to get started and young architects to start working,” explains Simone Miranda, a Rio tour guide. In the past, favela residents felt different – separate from the rest of Rio. “But now,” says Miranda, “they feel part of the society of Brazil.” Life is improving in the favelas, but there are still challenges. In some areas, poverty rates are still high. As students, families, and foreigners move into the favelas, property costs skyrocket. In some areas, housing has more than doubled in price. Despite this, favela residents are hopeful. If Rio can develop these favelas for all residents – both poor and middle class the city could become a model for other cities with similar problems.
5. What is true about the future of favelas?

A. They will set a good example about dealing with urban problems.

B. They will provide cheap residence for the poor and middle class.

C. They face both advantages and drawbacks.

D. Foreigners won’t move into favelas because of high crime rates.
Câu 50:

Read the following passage and choose the best answer (A, B, C, D):
Around the world, Rio de Janeiro is famous for its beautiful beaches, and Carnival celebration. But the city is also known for its poor areas, known as favelas. For years, many favelas had high poverty and crime rates. However, things are starting to change. In the past, many favelas received very little government assistance. Neighbourhood residents had to build their own streets and homes. Gangs were also common, and so were guns. However, a new government plan is starting to change this. The city is sending thousands of police officers into favelas with the goal of driving out the gangs. In some favelas, the plan is already working. Crime is down, and unlike the past, children are playing in the streets again. New apartment buildings are being built, and the city is providing more services. “In 20 years,’ says police officer Leonardo Nogueira, “the children who live here now will be different people.” Police influence is changing the favelas, but something else is, too. Today, more Brazilians are moving into these neighbourhoods because housing is expensive in other parts of Rio. “Favelas are a place for young doctors without money to get started and young architects to start working,” explains Simone Miranda, a Rio tour guide. In the past, favela residents felt different – separate from the rest of Rio. “But now,” says Miranda, “they feel part of the society of Brazil.” Life is improving in the favelas, but there are still challenges. In some areas, poverty rates are still high. As students, families, and foreigners move into the favelas, property costs skyrocket. In some areas, housing has more than doubled in price. Despite this, favela residents are hopeful. If Rio can develop these favelas for all residents – both poor and middle class the city could become a model for other cities with similar problems.
4. What can you replace the word “this” in the last paragraph with?

A. these areas

B. these cheap houses

C. these challenges

D. these foreigners

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Lý thuyết Hoá học lớp 11 theo chuyên đề và bài học

Lý thuyết Toán lớp 11 theo chuyên đề và bài học

Hướng dẫn giải SGK, SBT, nâng cao Toán 10 đẩy đủ

Lý thuyết Vật lý lớp 10 theo chuyên đề và bài học

Lý thuyết Sinh học lớp 11 theo chuyên đề và bài học

Hướng dẫn giải SGK, SBT, nâng cao Lý 10 đẩy đủ

Lý thuyết Hoá học lớp 10 theo chuyên đề và bài học

Hướng dẫn giải SGK, SBT, nâng cao Lý 11 đẩy đủ

Lý thuyết Toán lớp 10 theo chuyên đề và bài học

Lý thuyết Vật lý lớp 11 theo chuyên đề và bài học

Trắc nghiệm Reading Unit 3 lớp 12 Tiếng Anh Lớp 12

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