Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions:
Accustomed though we are to speaking of the films made before 1927 as “silent”, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.
As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before the y were to be shown (if, indeed, the conductor was lucky enough to see them then), the musical arrangement was normally improvised in the greatest hurry.
To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as “pleasant’, “sad”, “lively”. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.
Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D. w. Griffith’s film Birth of a Nation, which was released in 1915.
Which of the following notations is most likely to have been included on a musical cue sheet of the early 1900's?
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Lời giải:
Báo saiNhững chú thích nào sau đây có nhiều khả năng được đưa vào bảng sắp xếp trình tự xuất hiện của bản nhạc vào đầu những năm 1900?
A: "Calm, peaceful": “Bình tĩnh, yên ả”: Đây là biểu thị tâm trạng: Có được thể hiện trên musical cue sheet
B: "Piano, violin": “Piano, vi-ô-lông”: Đây là nhạc cụ: Không được thể hiện trên musical cue sheet
C: "Key of C major": “khóa Đô trưởng”: Đây là khóa nhạc: Không được thể hiện trên musical cue sheet.
D: "Directed by D. W. Griffith's”: “Đạo diễn bởi D. W. Griffith's”: Đây là tên đạo diễn: Không được thể hiện trên musical cue sheet
Câu thứ 3 đoạn 3: “...so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next” ( … vì thế đã xuất hiện những bản sắp xếp trình tự xuất hiện của bản nhạc bao gồm cả tâm trạng được biểu thị, tiêu đề của loại nhạc phù hợp, và các chỉ dẫn chính xác để thể hiện một bản nhạc tiếp theo sẽ dẫn tới đâu.)