Bộ Đề Kiểm Tra Học Kì II - Tiếng Anh 11 - Friends Global – Bộ Đề 01 - Test 5

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following sentences.

Mark the letter A, B, C, or D on your answer sheet to indicate the word whose underlined part differs from the other three in pronunciation in each of the following sentences.

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the other three in the position of primary stress in each of the following sentences.

Mark the letter A, B, C, or D on your answer sheet to indicate the word that differs from the other three in the position of primary stress in each of the following sentences.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

If it hadn’t been for your support, I ________ the project on time.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

Provided that you forget your bag on the tube, come to the________to get it back.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

By the time her term ends, she________as one of the most influential leaders in the organization's history.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

Last night, during family time, John couldn't stop laughing while watching a hilarious________on TV.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

She thinks they________down on her because she didn't go to university.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

I never forget________Japan for the first time.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

Linh has always been able to ________her parents when she’s had a problem.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

Sally made ________useful suggestions about places we could visit.

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions.

Most of the employees agreed to work overtime after the pay rise, ________?

Mark the letter A, B, or D on your answer sheet to indicate the sentence that best completes each of the following exchanges.

Tom: What a good voice you have! - Susan:________

Mark the letter A, B, or D on your answer sheet to indicate the sentence that best completes each of the following exchanges.

Andy: ________ - Bella: I’m a freshman.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that is CLOSEST in meaning to each of the following questions.

We narrowly avoided an accident with a coach by managing to stop quickly.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that is CLOSEST in meaning to each of the following questions.

Thanks to the team’s help, we were able to complete the report.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that is CLOSEST in meaning to each of the following questions.

Manh’s come to discuss his plan with An.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that best combines each pair of sentences in the following questions.

The chef prepared a delicious meal. Then, he served it to the guests.

Mark the letter A, B, C, or D on your answer sheet to indicate the sentence that best combines each pair of sentences in the following questions.

Amelia purchased a blue dress. Then she decided to exchange it for the red one.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks.

THE GRAND CANYON, USA

Known to native Americans as the ‘Mountain lying down’, the Grand Canyon stretches for 443 kilometres (21)________the Colorado River cuts through northwest Arizona. The canyon is a baby by geological standards – only five or six million years old, (22)________  the rocks at the bottom are almost two billion years old. It is the incredible colours of these different layers of rock (23) ________delight visitors – over five million of them every year. Surprisingly though, after (24) ________ the long journey there, the average visitors spends only fifteen minutes looking at the Canyon. Even so, visitors should still be careful: every year an average of five people fall over the (25)________.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks.

THE GRAND CANYON, USA

Known to native Americans as the ‘Mountain lying down’, the Grand Canyon stretches for 443 kilometres (21)________the Colorado River cuts through northwest Arizona. The canyon is a baby by geological standards – only five or six million years old, (22)________  the rocks at the bottom are almost two billion years old. It is the incredible colours of these different layers of rock (23) ________delight visitors – over five million of them every year. Surprisingly though, after (24) ________ the long journey there, the average visitors spends only fifteen minutes looking at the Canyon. Even so, visitors should still be careful: every year an average of five people fall over the (25)________.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks.

THE GRAND CANYON, USA

Known to native Americans as the ‘Mountain lying down’, the Grand Canyon stretches for 443 kilometres (21)________the Colorado River cuts through northwest Arizona. The canyon is a baby by geological standards – only five or six million years old, (22)________  the rocks at the bottom are almost two billion years old. It is the incredible colours of these different layers of rock (23) ________delight visitors – over five million of them every year. Surprisingly though, after (24) ________ the long journey there, the average visitors spends only fifteen minutes looking at the Canyon. Even so, visitors should still be careful: every year an average of five people fall over the (25)________.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks.

THE GRAND CANYON, USA

Known to native Americans as the ‘Mountain lying down’, the Grand Canyon stretches for 443 kilometres (21)________the Colorado River cuts through northwest Arizona. The canyon is a baby by geological standards – only five or six million years old, (22)________  the rocks at the bottom are almost two billion years old. It is the incredible colours of these different layers of rock (23) ________delight visitors – over five million of them every year. Surprisingly though, after (24) ________ the long journey there, the average visitors spends only fifteen minutes looking at the Canyon. Even so, visitors should still be careful: every year an average of five people fall over the (25)________.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct word or phrase that best fits each of the numbered blanks.

THE GRAND CANYON, USA

Known to native Americans as the ‘Mountain lying down’, the Grand Canyon stretches for 443 kilometres (21)________the Colorado River cuts through northwest Arizona. The canyon is a baby by geological standards – only five or six million years old, (22)________  the rocks at the bottom are almost two billion years old. It is the incredible colours of these different layers of rock (23) ________delight visitors – over five million of them every year. Surprisingly though, after (24) ________ the long journey there, the average visitors spends only fifteen minutes looking at the Canyon. Even so, visitors should still be careful: every year an average of five people fall over the (25)________.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The advent of street photography as a distinct genre is a relatively recent development, emerging just over half a century ago. In the early 20th century, pioneering photographers like Alfred Stieglitz explored urban scenes, but the limitations of technology led most photographers to primarily test the camera's capabilities and manipulate images in darkrooms for desired effects. The impulse to capture real-life moments gained momentum with Impressionist painters in the 1880s, setting the stage for street photography.

A pivotal moment arrived with the introduction of the Leica handheld camera in 1924. This 35-mm film camera allowed photographers to be mobile, capturing the essence of movement. Its wide aperture required shorter exposure times, revolutionizing outdoor photography. The Leica's rapid advancement enabled the capture of numerous sequential shots, eliminating the need for long exposure times and blurred movements. Photographers like André Kertész, Henri Cartier-Bresson, and Ilse Bing, who primarily worked in Europe in the 1930s, favoured the Leica, though they didn't necessarily label themselves as street photographers. Instead, they identified as photojournalists, fashion photographers, or experimentalists. Following World War II, the Leica remained a favourite, particularly among New York City photographers, including Helen Levitt, Lisette Model, William Klein, and Roy DeCarava. Street photography gained ground globally, with notable practitioners like Manuel Álvarez Bravo and Graciela Iturbide in Mexico, Robert Doisneau in Paris, Josef Koudelka in Czechoslovakia, and Bill Brandt in London.

The 1960s brought a new wave of street photographers, with Lee Friedlander, Garry Winogrand, and Diane Arbus leading the way. This generation, epitomized by the 1967 "New Documents" exhibition at the Museum of Modern Art in New York City, demonstrated a documentary approach blended with personal perspectives. This recognition of photography as artistry rather than mere record-keeping paved the path for subsequent generations of street photographers worldwide, both with traditional cameras and, in the 21st century, with cell phones. Street photography continues to thrive as an art form deeply embedded in contemporary culture.

Which of the following can be the best title for the passage?

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The advent of street photography as a distinct genre is a relatively recent development, emerging just over half a century ago. In the early 20th century, pioneering photographers like Alfred Stieglitz explored urban scenes, but the limitations of technology led most photographers to primarily test the camera's capabilities and manipulate images in darkrooms for desired effects. The impulse to capture real-life moments gained momentum with Impressionist painters in the 1880s, setting the stage for street photography.

A pivotal moment arrived with the introduction of the Leica handheld camera in 1924. This 35-mm film camera allowed photographers to be mobile, capturing the essence of movement. Its wide aperture required shorter exposure times, revolutionizing outdoor photography. The Leica's rapid advancement enabled the capture of numerous sequential shots, eliminating the need for long exposure times and blurred movements. Photographers like André Kertész, Henri Cartier-Bresson, and Ilse Bing, who primarily worked in Europe in the 1930s, favoured the Leica, though they didn't necessarily label themselves as street photographers. Instead, they identified as photojournalists, fashion photographers, or experimentalists. Following World War II, the Leica remained a favourite, particularly among New York City photographers, including Helen Levitt, Lisette Model, William Klein, and Roy DeCarava. Street photography gained ground globally, with notable practitioners like Manuel Álvarez Bravo and Graciela Iturbide in Mexico, Robert Doisneau in Paris, Josef Koudelka in Czechoslovakia, and Bill Brandt in London.

The 1960s brought a new wave of street photographers, with Lee Friedlander, Garry Winogrand, and Diane Arbus leading the way. This generation, epitomized by the 1967 "New Documents" exhibition at the Museum of Modern Art in New York City, demonstrated a documentary approach blended with personal perspectives. This recognition of photography as artistry rather than mere record-keeping paved the path for subsequent generations of street photographers worldwide, both with traditional cameras and, in the 21st century, with cell phones. Street photography continues to thrive as an art form deeply embedded in contemporary culture.

The word “Its” in paragraph 2 refers to ______

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The advent of street photography as a distinct genre is a relatively recent development, emerging just over half a century ago. In the early 20th century, pioneering photographers like Alfred Stieglitz explored urban scenes, but the limitations of technology led most photographers to primarily test the camera's capabilities and manipulate images in darkrooms for desired effects. The impulse to capture real-life moments gained momentum with Impressionist painters in the 1880s, setting the stage for street photography.

A pivotal moment arrived with the introduction of the Leica handheld camera in 1924. This 35-mm film camera allowed photographers to be mobile, capturing the essence of movement. Its wide aperture required shorter exposure times, revolutionizing outdoor photography. The Leica's rapid advancement enabled the capture of numerous sequential shots, eliminating the need for long exposure times and blurred movements. Photographers like André Kertész, Henri Cartier-Bresson, and Ilse Bing, who primarily worked in Europe in the 1930s, favoured the Leica, though they didn't necessarily label themselves as street photographers. Instead, they identified as photojournalists, fashion photographers, or experimentalists. Following World War II, the Leica remained a favourite, particularly among New York City photographers, including Helen Levitt, Lisette Model, William Klein, and Roy DeCarava. Street photography gained ground globally, with notable practitioners like Manuel Álvarez Bravo and Graciela Iturbide in Mexico, Robert Doisneau in Paris, Josef Koudelka in Czechoslovakia, and Bill Brandt in London.

The 1960s brought a new wave of street photographers, with Lee Friedlander, Garry Winogrand, and Diane Arbus leading the way. This generation, epitomized by the 1967 "New Documents" exhibition at the Museum of Modern Art in New York City, demonstrated a documentary approach blended with personal perspectives. This recognition of photography as artistry rather than mere record-keeping paved the path for subsequent generations of street photographers worldwide, both with traditional cameras and, in the 21st century, with cell phones. Street photography continues to thrive as an art form deeply embedded in contemporary culture.

Paragraph 4 mainly discusses _______

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The advent of street photography as a distinct genre is a relatively recent development, emerging just over half a century ago. In the early 20th century, pioneering photographers like Alfred Stieglitz explored urban scenes, but the limitations of technology led most photographers to primarily test the camera's capabilities and manipulate images in darkrooms for desired effects. The impulse to capture real-life moments gained momentum with Impressionist painters in the 1880s, setting the stage for street photography.

A pivotal moment arrived with the introduction of the Leica handheld camera in 1924. This 35-mm film camera allowed photographers to be mobile, capturing the essence of movement. Its wide aperture required shorter exposure times, revolutionizing outdoor photography. The Leica's rapid advancement enabled the capture of numerous sequential shots, eliminating the need for long exposure times and blurred movements. Photographers like André Kertész, Henri Cartier-Bresson, and Ilse Bing, who primarily worked in Europe in the 1930s, favoured the Leica, though they didn't necessarily label themselves as street photographers. Instead, they identified as photojournalists, fashion photographers, or experimentalists. Following World War II, the Leica remained a favourite, particularly among New York City photographers, including Helen Levitt, Lisette Model, William Klein, and Roy DeCarava. Street photography gained ground globally, with notable practitioners like Manuel Álvarez Bravo and Graciela Iturbide in Mexico, Robert Doisneau in Paris, Josef Koudelka in Czechoslovakia, and Bill Brandt in London.

The 1960s brought a new wave of street photographers, with Lee Friedlander, Garry Winogrand, and Diane Arbus leading the way. This generation, epitomized by the 1967 "New Documents" exhibition at the Museum of Modern Art in New York City, demonstrated a documentary approach blended with personal perspectives. This recognition of photography as artistry rather than mere record-keeping paved the path for subsequent generations of street photographers worldwide, both with traditional cameras and, in the 21st century, with cell phones. Street photography continues to thrive as an art form deeply embedded in contemporary culture.

Which of the following is NOT TRUE according to the passage?

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

The advent of street photography as a distinct genre is a relatively recent development, emerging just over half a century ago. In the early 20th century, pioneering photographers like Alfred Stieglitz explored urban scenes, but the limitations of technology led most photographers to primarily test the camera's capabilities and manipulate images in darkrooms for desired effects. The impulse to capture real-life moments gained momentum with Impressionist painters in the 1880s, setting the stage for street photography.

A pivotal moment arrived with the introduction of the Leica handheld camera in 1924. This 35-mm film camera allowed photographers to be mobile, capturing the essence of movement. Its wide aperture required shorter exposure times, revolutionizing outdoor photography. The Leica's rapid advancement enabled the capture of numerous sequential shots, eliminating the need for long exposure times and blurred movements. Photographers like André Kertész, Henri Cartier-Bresson, and Ilse Bing, who primarily worked in Europe in the 1930s, favoured the Leica, though they didn't necessarily label themselves as street photographers. Instead, they identified as photojournalists, fashion photographers, or experimentalists. Following World War II, the Leica remained a favourite, particularly among New York City photographers, including Helen Levitt, Lisette Model, William Klein, and Roy DeCarava. Street photography gained ground globally, with notable practitioners like Manuel Álvarez Bravo and Graciela Iturbide in Mexico, Robert Doisneau in Paris, Josef Koudelka in Czechoslovakia, and Bill Brandt in London.

The 1960s brought a new wave of street photographers, with Lee Friedlander, Garry Winogrand, and Diane Arbus leading the way. This generation, epitomized by the 1967 "New Documents" exhibition at the Museum of Modern Art in New York City, demonstrated a documentary approach blended with personal perspectives. This recognition of photography as artistry rather than mere record-keeping paved the path for subsequent generations of street photographers worldwide, both with traditional cameras and, in the 21st century, with cell phones. Street photography continues to thrive as an art form deeply embedded in contemporary culture.

Which of the following can be inferred from the passage?

For each question, choose the correct answer. Question 31 to 35.

Listen to two friends talking together in a shop. Why does Ruby want to buy the sunglasses?

For each question, choose the correct answer. Question 31 to 35.

Listen to a man a girl talking about what they want to eat. Where are they?

For each question, choose the correct answer. Question 31 to 35.

Listen to a boy talking to a girl about his laptop. What does the girl offer to do?

For each question, choose the correct answer. Question 31 to 35.

Listen to a message in a shopping centre. What change do customers need to know about?

For each question, choose the correct answer. Question 31 to 35.

Listen to a girl talking about a party. What did she like about it?

You will hear five people talking about the most important inventions of the 20th century. Listen and choose the reasons they give for their choices. Question 36 to 40.

The Internet ________.

You will hear five people talking about the most important inventions of the 20th century. Listen and choose the reasons they give for their choices. Question 36 to 40.

Aeroplanes ________.

You will hear five people talking about the most important inventions of the 20th century. Listen and choose the reasons they give for their choices. Question 36 to 40.

Computers ________.

You will hear five people talking about the most important inventions of the 20th century. Listen and choose the reasons they give for their choices. Question 36 to 40.

MP3 players ________.

You will hear five people talking about the most important inventions of the 20th century. Listen and choose the reasons they give for their choices. Question 36 to 40.

Spaceships ________.