Read the following passage about the CULTURAL DIVERSITY and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 31 to 40.
[I] Belgium features a fascinating mix of ancient traditions and contemporary legislation, showcasing the country’s rich history. [II]. In Belgium, the families of the bride and groom each pitch in by providing a sheet of paper for the wedding invitations, in line with a long-standing tradition. [III] The wedding invitations symbolize the new partnership and the merging of the two families. [IV]
In an old Belgian tradition meant to bring the two families closer together, the bride would pause halfway down the aisle to give her mother a solitary flower. They hold each other's arms. The newlyweds then make their way to the groom's mother-in-law during the recessional, where the bride presents her with a solitary flower as a token of her affection. As a sign of the bride's acceptance of her new mother, they embrace.
Carrying a uniquely embroidered handkerchief bearing the bride's name is one of the most significant and long-standing customs of the Belgian wedding. This handkerchief will be framed and displayed in a special spot after the wedding. Before each subsequent female member of the bride's family is married, the handkerchief is taken out of its frame, embroidered with the name of the new bride, and then passed down through the generations. A bridal handkerchief is a treasured memento that is passed down through the generations.
There are two big chairs placed near the altar where the bride and groom sit during the wedding mass, representing their throne as king and queen for the day and the location. As the ceremony comes to a close, the groom places the wedding ring on the third finger of the bride's left hand. Because it is a circle, the ring represents love that knows no bounds, and the third finger of the left hand represents love because it is thought to hold the vein that goes to the heart. Soon after the wedding, the newlyweds kiss for the first time as husband and wife. Because each partner takes a breath of their new spouse's spirit, the kiss is a metaphor for the couple's spiritual union.
Traditionally, as the bride and husband leave the church, the bridesmaids gather a handful of pennies and then scatter them among the less fortunate outside. The happy couple might increase their chances of financial success by donating to charity.
A honeymoon is for the newlyweds after the wedding. Honey wine, or mead, was traditionally drunk during the 28-day honeymoon, which corresponds to one lunar cycle, in ancient times. The purpose of this was to prevent the bride's relatives from attempting to reclaim their daughter from her husband.
Which of the following best paraphrases the underlined sentence in paragraph 6?
Celebrating the rich history of traditional Belgian weddings and the customs that have developed around them.
The elaborate traditions associated with traditional Belgian marriages make this event captivating.
It illustrates the distinction between contemporary and traditional wedding ceremonies in Belgium.
The objective was to deter the bride's family from seeking to retrieve their daughter from her spouse.
Hãy suy nghĩ và trả lời câu hỏi trước khi xem đáp án
Đáp án đúng là D
Giải Thích: Câu nào sau đây diễn giải đúng nhất câu gạch chân trong đoạn văn 6?
Phân tích chi tiết
A. Celebrating the rich history of traditional Belgian weddings and the customs that have developed around them. Sai. Mặc dù đám cưới ở Bỉ có những truyền thống thú vị, nhưng câu này không phản ánh chính xác mục đích của việc uống rượu mật ong trong tuần trăng mật. Mục đích của việc uống mead là để ngăn ngừa sự can thiệp của gia đình cô dâu, không phải để kỷ niệm lịch sử đám cưới.
B. The elaborate traditions associated with traditional Belgian marriages make this event captivating. Sai. Đây là một câu miêu tả chung chung về các truyền thống của đám cưới Bỉ, nhưng không nhấn mạnh vào mục đích của việc uống rượu mật ong. Mặc dù các truyền thống có thể thú vị, nhưng mục tiêu của việc uống rượu mật ong là ngăn chặn sự can thiệp của gia đình cô dâu, không phải làm cho đám cưới trở nên hấp dẫn.
C. It illustrates the distinction between contemporary and traditional wedding ceremonies in Belgium. Sai. Câu này cũng không chính xác vì không đề cập đến mục đích của việc uống rượu mật ong trong tuần trăng mật. Mục đích là để ngăn chặn sự can thiệp từ gia đình cô dâu, không phải để phân biệt giữa các phong tục cưới hiện đại và truyền thống ở Bỉ.
D. The objective was to deter the bride's family from seeking to retrieve their daughter from her spouse. Đúng. Đây là câu trả lời chính xác. Mục đích của việc uống rượu mật ong trong tuần trăng mật là để ngăn cản gia đình cô dâu can thiệp vào hôn nhân của cô ấy và lấy lại cô dâu từ tay người chồng. Truyền thống này giúp duy trì sự độc lập của cặp đôi mới cưới và tránh sự can thiệp của gia đình cô dâu.
Đáp án D phù hợp
Bộ đề thi giúp học sinh lớp 12 làm quen với cấu trúc và nội dung đề thi tốt nghiệp THPT môn Tiếng Anh năm 2025. Đề thi được xây dựng theo định hướng của Bộ GD ĐT, bao gồm các phần Ngữ âm, Từ vựng - Ngữ pháp, Chức năng giao tiếp, Kỹ năng đọc hiểu, Kỹ năng viết và Phát âm - Trọng âm. Hệ thống câu hỏi đa dạng, bám sát chương trình học, giúp học sinh rèn luyện kỹ năng làm bài và nâng cao tư duy ngôn ngữ. Đáp án chi tiết đi kèm hỗ trợ học sinh tự ôn tập, đánh giá năng lực và chuẩn bị tốt nhất cho kỳ thi quan trọng.
Câu hỏi liên quan
Choose the correct answer to fill in the blank in each of the following questions.
They quickly __________ the solar energy stored in the batteries during the cloudy week.
Read the following passage and choose the correct answer to each of the questions.
1. In recent years, there has been a significant shift towards more eco-friendly alternatives to plastic products. Among these changes is the introduction of paper straws, which have become increasingly popular in cafes, restaurants, and homes. This shift is largely driven by growing awareness of the environmental damage caused by plastic pollution, particularly in our oceans.
2. Plastic straws have long been criticised for their contribution to pollution. They are lightweight, making them easily blown into waterways and oceans, where they can harm marine life. Unlike plastic, which takes hundreds of years to decompose, paper straws break down much more quickly. This means they are less likely to accumulate in the environment, making them a seemingly better option.
3. However, the production of paper straws also has an environmental impact. The manufacturing process requires cutting down trees, which can contribute to deforestation if not managed sustainably. Moreover, many paper straws have a thin plastic lining to prevent them from getting soggy quickly. This plastic lining can still cause environmental issues and reduce the benefits of switching from plastic to paper.
4. There are also practical concerns. Many people find paper straws less durable than plastic ones. They can become soft and unusable in a short amount of time, especially when used in hot beverages. This inconvenience can lead to increased waste if people use more straws as replacements.
5. On the other hand, some companies are working to address these issues. They are developing more durable and completely biodegradable paper straws, as well as investing in sustainable forestry practices to ensure that the production of paper products does not contribute to deforestation.
6. In conclusion, while paper straws do offer a more environmentally friendly alternative to plastic straws, they are not without their own set of problems. The key to making a positive impact lies in continuing to innovate and improve these products, as well as encouraging responsible production and disposal practices. As consumers, being aware of these issues can help us make more informed choices and support companies that prioritise sustainability.
(32) Which of the following could be the best title for the passage?
Read the following passage about endangered languages and mark the letter A, B, C or D on your answer street to indicate the best answer to each of the following questions from 23 to 30.
Vietnamese cultural identity is a rich and intricate tapestry that reflects the nation's long and storied history. Rooted in over a thousand years of civilization, Vietnam's cultural identity is a fusion of indigenous traditions and external influences, shaped by its geographical location and historical interactions.
First and foremost, at the heart of Vietnamese culture is a deep reverence for family and comm Unity. Confucian Values emphasizing respect for elders, filial piety, and sOCi6l harmony have played a pivotal role in Shaping Vietnamese society. These values are reflected in the close-knit family structures, hierarchical relationships, and communal rituals that are integral to daily life.
Secondly, Vietnamese cuisine is celebrated worldwide for its exquisite flavors and diversity. With its emphasis on fresh ingredients, fragrant herbs, and balanced flavors, Vietnamese food tells a story of the country's agricultural heritage and regional variations. Iconic dishes like pho, banh mi, and spring rolls have become global favorites, representing the culinary artistry deeply ingrained in Vietnamese culture. Also, Vietnam's artistic expressions are equally captivating. Traditional art forms like water puppetry, silk painting, and folk music continue to thrive alongside contemporary artistic movements. Áo dài, a graceful traditional dress, exemplifies the fusion of elegance and modesty in Vietnamese fashion, symbolizing cultural pride and identity.
Today, in the face of modernization and globalization, Vietnamese cultural identity remains resilient. While adapting to the challenges of the 21st century, the Vietnamese people continue to honor their traditions, celebrate their unique cultural expressions, and pass on their heritage to future generations, ensuring that their cultural identity remains Vibrant and enduring.
The word indigenous in paragraph 1 is OPPOSITE in meaning to _____
Read the following passage about human life expectancy and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
In the UK, comprising England, Scotland, Wales, and Northern Ireland, jokes and tricks can be played until noon on 1 April. After midday it's considered bad luck to play a trick. Anyone who forgets this and tries a joke in the afternoon becomes an 'April Fool' themselves.
So, what kind of jokes do people play? Well, a simple example would be telling your friend that their shoelaces are undone. Then, when they bend down to do them up, you shout, 'April Fool!', and they realise their shoelaces are fine.
Maybe it's not your kind of humour, but watch out, there's always someone who will find it funny! In Ireland, a popular prank is to send someone on a 'fool's errand'. The victim is sent to deliver a letter, supposedly asking for help. When the person receives the letter, they open it, read it and tell the poor messenger that they will have to take the letter to another person. This continues and the victim ends up taking the message to several different people until someone feels sorry for them and shows them what the letter says: 'Send the fool to someone else.'
In France, Belgium, the Netherlands (or Holland), Italy and French-speaking areas of Canada and Switzerland, the 1 April tradition is known as the “April Fish”. A common joke is to try to stick a paper fish onto a victim's back without being noticed.
Which of the following best paraphrases the underlined sentence in paragraph 1?
Read the following passage about endangered languages and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
Vietnamese cultural identity is a rich and intricate tapestry that reflects the nation’s long and storied history. Rooted in over a thousand years of civilization, Vietnam’s cultural identity is a fusion of indigenous traditions and external influences, shaped by its geographical location and historical interactions.
First and foremost, at the heart of Vietnamese culture is a deep reverence for family and community. Confucian values emphasizing respect for elders, filial piety, and social harmony have played a pivotal role in shaping Vietnamese society. These values are reflected in the close-knit family structures, hierarchical relationships, and communal rituals that are integral to daily life.
Secondly, Vietnamese cuisine is celebrated worldwide for its exquisite flavors and diversity. With its emphasis on fresh ingredients, fragrant herbs, and balanced flavors, Vietnamese food tells a story of the country’s agricultural heritage and regional variations. Iconic dishes like pho, banh mi, and spring rolls have become global favorites, representing the culinary artistry deeply ingrained in Vietnamese culture. Also, Vietnam’s artistic expressions are equally captivating. Traditional art forms like water puppetry, silk painting, and folk music continue to thrive alongside contemporary artistic movements. Áo dài, a graceful traditional dress, exemplifies the fusion of elegance and modesty in Vietnamese fashion, symbolizing cultural pride and identity.
Today, in the face of modernization and globalization, Vietnamese cultural identity remains resilient. While adapting to the challenges of the 21st century, the Vietnamese people continue to honor their traditions, celebrate their unique cultural expressions, and pass on their heritage to future generations, ensuring that their cultural identity remains vibrant and enduring.
The word "reverence" in paragraph 2 could be best replaced by:
Read the following passage and choose the correct answer to each of the questions.
1. In recent years, there has been a significant shift towards more eco-friendly alternatives to plastic products. Among these changes is the introduction of paper straws, which have become increasingly popular in cafes, restaurants, and homes. This shift is largely driven by growing awareness of the environmental damage caused by plastic pollution, particularly in our oceans.
2. Plastic straws have long been criticised for their contribution to pollution. They are lightweight, making them easily blown into waterways and oceans, where they can harm marine life. Unlike plastic, which takes hundreds of years to decompose, paper straws break down much more quickly. This means they are less likely to accumulate in the environment, making them a seemingly better option.
3. However, the production of paper straws also has an environmental impact. The manufacturing process requires cutting down trees, which can contribute to deforestation if not managed sustainably. Moreover, many paper straws have a thin plastic lining to prevent them from getting soggy quickly. This plastic lining can still cause environmental issues and reduce the benefits of switching from plastic to paper.
4. There are also practical concerns. Many people find paper straws less durable than plastic ones. They can become soft and unusable in a short amount of time, especially when used in hot beverages. This inconvenience can lead to increased waste if people use more straws as replacements.
5. On the other hand, some companies are working to address these issues. They are developing more durable and completely biodegradable paper straws, as well as investing in sustainable forestry practices to ensure that the production of paper products does not contribute to deforestation.
6. In conclusion, while paper straws do offer a more environmentally friendly alternative to plastic straws, they are not without their own set of problems. The key to making a positive impact lies in continuing to innovate and improve these products, as well as encouraging responsible production and disposal practices. As consumers, being aware of these issues can help us make more informed choices and support companies that prioritise sustainability.
(33) What is the main reason for the growing popularity of paper straws?
Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered blanks from 18 to 22.
Although there is disagreement on the origins of batik, some people – though not all- (18)______. Its production technique spreading throughout the island, then over the centuries batik spread to Sumatra and north into Malaysia’s coastal areas and southern Thailand.
Javanese batik displays the peoples’ view of the universe. Three traditional, easy-to-obtain colours are used - indigo, brown, and white –(19)______. Nobility have special patterns, with wider stripes or wavy lines indicating a higher rank.
Sumatra’s batik dates to the 13th century. Sumatra’s ethnic groups have their own styles of batik, which use clay for the dye.(20)______.
The first introduction of Malaysian batik is in the 17th century. Today, tourists can find Malaysian batik on the east coast in Johor, Kelantan, Terengganu and Pahang. Motifs tend to be of plants but geometric shapes as human and animal images are taboo.
Finally making its way to southern Thailand, (21)______. Its themes vary from the islands landscape and important parts of island culture such as coconut shells, palm trees, tropical flowers, and fishing boats. Batik, has made a significant contribution to Singapore’s arts scene, with traditional and contemporary presentations.
(22)______. In 2009, UNESCO designated Indonesian batik as a Masterpiece of Oral and Intangible Heritage of Humanity.
Read the following passage and choose the correct option that best fits each of the numbered blanks.
Carpooling, the practice of sharing a ride with others, is an effective way to reduce the number of vehicles on the road. One of the most significant advantages of carpooling is its positive impact on the environment. (22) __________ cars on the road, the fewer harmful greenhouse gases are emitted. This reduction in vehicle emissions can lead to improved air quality, particularly in urban areas (23) __________ pollution levels are typically higher.
Carpooling also offers economic benefits. Sharing a ride can significantly lower transportation costs for individuals by splitting (24) __________ such as fuel, tolls, and parking fees. This makes commuting more affordable and can ease the financial burden of car ownership.
Additionally, carpooling fosters a (25) __________ of community. It provides an opportunity for social interaction and networking (26) __________ passengers can engage in conversations and build relationships during their shared journeys. This can enhance the overall commuting experience, making it more enjoyable and less stressful.
Read the following advertisement and mark the letter A, B, C, or D on your answer sheet to indicate the correct option that bestfits each of the numbered blanks from 1 to 6
THE INTERNATIONAL CULTURAL FESTIVAL
The International Cultural Festival (1) in Hanoi this Saturday, January 13. It’s a (2) event which features many cultures, ranging from Korean, Japanese, British and Vietnamese. If you are a big fan of kimchi, sushi or bun cha, this festival is perfectly for you. We will serve you traditional dishes of these cultures. (3) , you will have the opportunity to meet T-Ara – a famous Kpop group (4) at the Korean booth. Apart from serving delicious dishes, these booths will also sell (5) so that you can take home some.
(6) a ticket, call us at 0459875180 or visit our website www.interculfestival.com.
Read the following passage and choose the correct option that best fits each of the numbered blanks.
Carpooling, the practice of sharing a ride with others, is an effective way to reduce the number of vehicles on the road. One of the most significant advantages of carpooling is its positive impact on the environment. (22) __________ cars on the road, the fewer harmful greenhouse gases are emitted. This reduction in vehicle emissions can lead to improved air quality, particularly in urban areas (23) __________ pollution levels are typically higher.
Carpooling also offers economic benefits. Sharing a ride can significantly lower transportation costs for individuals by splitting (24) __________ such as fuel, tolls, and parking fees. This makes commuting more affordable and can ease the financial burden of car ownership.
Additionally, carpooling fosters a (25) __________ of community. It provides an opportunity for social interaction and networking (26) __________ passengers can engage in conversations and build relationships during their shared journeys. This can enhance the overall commuting experience, making it more enjoyable and less stressful.
Read the following passage and choose the correct answer to each of the questions.
1. In recent years, there has been a significant shift towards more eco-friendly alternatives to plastic products. Among these changes is the introduction of paper straws, which have become increasingly popular in cafes, restaurants, and homes. This shift is largely driven by growing awareness of the environmental damage caused by plastic pollution, particularly in our oceans.
2. Plastic straws have long been criticised for their contribution to pollution. They are lightweight, making them easily blown into waterways and oceans, where they can harm marine life. Unlike plastic, which takes hundreds of years to decompose, paper straws break down much more quickly. This means they are less likely to accumulate in the environment, making them a seemingly better option.
3. However, the production of paper straws also has an environmental impact. The manufacturing process requires cutting down trees, which can contribute to deforestation if not managed sustainably. Moreover, many paper straws have a thin plastic lining to prevent them from getting soggy quickly. This plastic lining can still cause environmental issues and reduce the benefits of switching from plastic to paper.
4. There are also practical concerns. Many people find paper straws less durable than plastic ones. They can become soft and unusable in a short amount of time, especially when used in hot beverages. This inconvenience can lead to increased waste if people use more straws as replacements.
5. On the other hand, some companies are working to address these issues. They are developing more durable and completely biodegradable paper straws, as well as investing in sustainable forestry practices to ensure that the production of paper products does not contribute to deforestation.
6. In conclusion, while paper straws do offer a more environmentally friendly alternative to plastic straws, they are not without their own set of problems. The key to making a positive impact lies in continuing to innovate and improve these products, as well as encouraging responsible production and disposal practices. As consumers, being aware of these issues can help us make more informed choices and support companies that prioritise sustainability.
(34) The word accumulate in paragraph 2 is closest in meaning to __________.
Read the following passage about endangered languages and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
Vietnamese cultural identity is a rich and intricate tapestry that reflects the nation’s long and storied history. Rooted in over a thousand years of civilization, Vietnam’s cultural identity is a fusion of indigenous traditions and external influences, shaped by its geographical location and historical interactions.
First and foremost, at the heart of Vietnamese culture is a deep reverence for family and community. Confucian values emphasizing respect for elders, filial piety, and social harmony have played a pivotal role in shaping Vietnamese society. These values are reflected in the close-knit family structures, hierarchical relationships, and communal rituals that are integral to daily life.
Secondly, Vietnamese cuisine is celebrated worldwide for its exquisite flavors and diversity. With its emphasis on fresh ingredients, fragrant herbs, and balanced flavors, Vietnamese food tells a story of the country’s agricultural heritage and regional variations. Iconic dishes like pho, banh mi, and spring rolls have become global favorites, representing the culinary artistry deeply ingrained in Vietnamese culture. Also, Vietnam’s artistic expressions are equally captivating. Traditional art forms like water puppetry, silk painting, and folk music continue to thrive alongside contemporary artistic movements. Áo dài, a graceful traditional dress, exemplifies the fusion of elegance and modesty in Vietnamese fashion, symbolizing cultural pride and identity.
Today, in the face of modernization and globalization, Vietnamese cultural identity remains resilient. While adapting to the challenges of the 21st century, the Vietnamese people continue to honor their traditions, celebrate their unique cultural expressions, and pass on their heritage to future generations, ensuring that their cultural identity remains vibrant and enduring.
In which paragraph does the writer state that Vietnamese cultural identity is influenced by both internal and external factors?
Read the following passage about Our Festival Traditions and mark the letter A, B, C, or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
Katê Festival
Cultural diversity is a vital aspect of any society, and festivals of ethnic groups play an essential role in preserving the cultural identity of a community. Embracing cultural values through festivals is an important way of staying connected with one community as well as its history and traditions, and a well-known Katê Festival of the Chăm people in Vietnam is an example to prove so.
The Katê Festival, also known as Mbăng Katê, is the biggest yearly festival for the Chăm people in Vietnam. It is a special time of year when they honour important figures in their history and the dead in their families. The Kate Festival takes place on the first day of the seventh month in the Chăm calendar, usually in September or October. It lasts for three days and takes place around three important ancient structures in Ninh Thuận Province: the Po Klaung Yăgrai Tower, the Po Romé Tower and the Po Inû Nagar Temple. All of these places are very important to Champa culture and history.
On the morning of the first day, Cham families take part in processions as they travel to the towers and temple, bringing gifts of fruit, meat and rice. In a special ceremony, the Cham people receive the costumes of the Goddess Po Nagar from the Raglai people, a cultural group with close connections to Champa culture. The Chăm carry the costumes to the temple to celebrate Po Nagar, then they open the gates. Inside the temple, they start bathing the statues of important figures and watching sacred dances. After those performances, people enjoy lively parties until the evening of the festival's second day.
On the last day, people make special offerings to their gods at community houses in their villages and pray for luck and good health for the coming year. Once this is over, there are traditional music performances, and then people do fun activities like playing football and participating in weaving competitions.
Which of the following is NOT mentioned as one of the key locations where the Katê Festival is celebrated?
Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
ASEAN’s diversity showcases an incredible variety of traditional dances, each with fascinating histories and cultural significance. Among these, Cambodia’s ancient Apsara dance stands out as a prime example of a tradition that has endured for more than 1,000 years. Originating from animistic beliefs, this dance was influenced by Hindu forms introduced during the era of Indian cultural influence, which began in the 1st century. Over time, particularly between the 12th and 15th centuries, the Apsara dance evolved to reflect a distinctly Khmer identity. Through the addition of unique movements and deeper meanings, it became a cultural symbol during the early Angkor era.
Indonesia, with its vast size and diverse cultural influences, is home to a remarkable array of traditional dances. While dozens of these dances can be found across the archipelago, a few have gained prominence for their uniqueness and storytelling. Traditional Indonesian dances vividly reflect the nation's rich cultural diversity. In Bali, three famous dances - the Sanghyang (Trance), Kecak (Monkey Dance), and the Fire Dance - stand out. Each of these tells captivating stories of bringing peace, unity, and harmony to local villages.
Visitors to Laos who explore ethnic villages will often find themselves immersed in the basics of local dances, which play a key role in the cultural life of the community. Lamvong, for instance, is a well-known dance where men form an inner circle surrounded by women in an outer circle, moving gracefully in rhythm. Each ethnic group in Laos has its distinct dances, shaped by their unique beliefs, legends, and traditions.
In Viet Nam, traditional dance is a profound expression of the nation’s culture and history. Featuring graceful and fluid movements, these dances often depict elements of nature, such as flowing rivers and blooming flowers, or daily activities like boat rowing and silk washing. Popular dances include the conical hat dance, the fan dance, the royal lotus dance, and the ancient drum dance.
Which of the following is NOT mentioned as a factor shaping Laotian ethnic dances?
Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered blanks from 18 to 22.
Although there is disagreement on the origins of batik, some people – though not all- (18)______. Its production technique spreading throughout the island, then over the centuries batik spread to Sumatra and north into Malaysia’s coastal areas and southern Thailand.
Javanese batik displays the peoples’ view of the universe. Three traditional, easy-to-obtain colours are used - indigo, brown, and white –(19)______. Nobility have special patterns, with wider stripes or wavy lines indicating a higher rank.
Sumatra’s batik dates to the 13th century. Sumatra’s ethnic groups have their own styles of batik, which use clay for the dye.(20)______.
The first introduction of Malaysian batik is in the 17th century. Today, tourists can find Malaysian batik on the east coast in Johor, Kelantan, Terengganu and Pahang. Motifs tend to be of plants but geometric shapes as human and animal images are taboo.
Finally making its way to southern Thailand, (21)______. Its themes vary from the islands landscape and important parts of island culture such as coconut shells, palm trees, tropical flowers, and fishing boats. Batik, has made a significant contribution to Singapore’s arts scene, with traditional and contemporary presentations.
(22)______. In 2009, UNESCO designated Indonesian batik as a Masterpiece of Oral and Intangible Heritage of Humanity.
Read the following passage about endangered languages and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
Vietnamese cultural identity is a rich and intricate tapestry that reflects the nation’s long and storied history. Rooted in over a thousand years of civilization, Vietnam’s cultural identity is a fusion of indigenous traditions and external influences, shaped by its geographical location and historical interactions.
First and foremost, at the heart of Vietnamese culture is a deep reverence for family and community. Confucian values emphasizing respect for elders, filial piety, and social harmony have played a pivotal role in shaping Vietnamese society. These values are reflected in the close-knit family structures, hierarchical relationships, and communal rituals that are integral to daily life.
Secondly, Vietnamese cuisine is celebrated worldwide for its exquisite flavors and diversity. With its emphasis on fresh ingredients, fragrant herbs, and balanced flavors, Vietnamese food tells a story of the country’s agricultural heritage and regional variations. Iconic dishes like pho, banh mi, and spring rolls have become global favorites, representing the culinary artistry deeply ingrained in Vietnamese culture. Also, Vietnam’s artistic expressions are equally captivating. Traditional art forms like water puppetry, silk painting, and folk music continue to thrive alongside contemporary artistic movements. Áo dài, a graceful traditional dress, exemplifies the fusion of elegance and modesty in Vietnamese fashion, symbolizing cultural pride and identity.
Today, in the face of modernization and globalization, Vietnamese cultural identity remains resilient. While adapting to the challenges of the 21st century, the Vietnamese people continue to honor their traditions, celebrate their unique cultural expressions, and pass on their heritage to future generations, ensuring that their cultural identity remains vibrant and enduring.
Which of the following is TRUE according to the passage?
Mark the letter A, B, C or D on your answer sheet to indicate the best arrangement of utterances or sentences to make a meaningful exchange or text in each of the following questions from 13 to 17.
Dear Ana,
a. It's a religious holiday and we value it very much. Do you have a similar festival in your country?
b. In India, we have a tradition called Diwali. It's in October or November. We celebrate the value of good over evil and light over darkness.
c. Then, we give presents and eat special food. We also light candles and fireworks.
d. To prepare for this, first, we clean our houses and wear new clothes.
e. Thanks for your email. I'd love to tell you about a festival in my country.
Best,
Rahul
Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
ASEAN’s diversity showcases an incredible variety of traditional dances, each with fascinating histories and cultural significance. Among these, Cambodia’s ancient Apsara dance stands out as a prime example of a tradition that has endured for more than 1,000 years. Originating from animistic beliefs, this dance was influenced by Hindu forms introduced during the era of Indian cultural influence, which began in the 1st century. Over time, particularly between the 12th and 15th centuries, the Apsara dance evolved to reflect a distinctly Khmer identity. Through the addition of unique movements and deeper meanings, it became a cultural symbol during the early Angkor era.
Indonesia, with its vast size and diverse cultural influences, is home to a remarkable array of traditional dances. While dozens of these dances can be found across the archipelago, a few have gained prominence for their uniqueness and storytelling. Traditional Indonesian dances vividly reflect the nation's rich cultural diversity. In Bali, three famous dances - the Sanghyang (Trance), Kecak (Monkey Dance), and the Fire Dance - stand out. Each of these tells captivating stories of bringing peace, unity, and harmony to local villages.
Visitors to Laos who explore ethnic villages will often find themselves immersed in the basics of local dances, which play a key role in the cultural life of the community. Lamvong, for instance, is a well-known dance where men form an inner circle surrounded by women in an outer circle, moving gracefully in rhythm. Each ethnic group in Laos has its distinct dances, shaped by their unique beliefs, legends, and traditions.
In Viet Nam, traditional dance is a profound expression of the nation’s culture and history. Featuring graceful and fluid movements, these dances often depict elements of nature, such as flowing rivers and blooming flowers, or daily activities like boat rowing and silk washing. Popular dances include the conical hat dance, the fan dance, the royal lotus dance, and the ancient drum dance.
The word “depict” in paragraph 4 could be best replaced by:
Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
ASEAN’s diversity showcases an incredible variety of traditional dances, each with fascinating histories and cultural significance. Among these, Cambodia’s ancient Apsara dance stands out as a prime example of a tradition that has endured for more than 1,000 years. Originating from animistic beliefs, this dance was influenced by Hindu forms introduced during the era of Indian cultural influence, which began in the 1st century. Over time, particularly between the 12th and 15th centuries, the Apsara dance evolved to reflect a distinctly Khmer identity. Through the addition of unique movements and deeper meanings, it became a cultural symbol during the early Angkor era.
Indonesia, with its vast size and diverse cultural influences, is home to a remarkable array of traditional dances. While dozens of these dances can be found across the archipelago, a few have gained prominence for their uniqueness and storytelling. Traditional Indonesian dances vividly reflect the nation's rich cultural diversity. In Bali, three famous dances - the Sanghyang (Trance), Kecak (Monkey Dance), and the Fire Dance - stand out. Each of these tells captivating stories of bringing peace, unity, and harmony to local villages.
Visitors to Laos who explore ethnic villages will often find themselves immersed in the basics of local dances, which play a key role in the cultural life of the community. Lamvong, for instance, is a well-known dance where men form an inner circle surrounded by women in an outer circle, moving gracefully in rhythm. Each ethnic group in Laos has its distinct dances, shaped by their unique beliefs, legends, and traditions.
In Viet Nam, traditional dance is a profound expression of the nation’s culture and history. Featuring graceful and fluid movements, these dances often depict elements of nature, such as flowing rivers and blooming flowers, or daily activities like boat rowing and silk washing. Popular dances include the conical hat dance, the fan dance, the royal lotus dance, and the ancient drum dance.
The word “these” in paragraph 2 refers to:
Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best answer to each of the following questions from 23 to 30.
ASEAN’s diversity showcases an incredible variety of traditional dances, each with fascinating histories and cultural significance. Among these, Cambodia’s ancient Apsara dance stands out as a prime example of a tradition that has endured for more than 1,000 years. Originating from animistic beliefs, this dance was influenced by Hindu forms introduced during the era of Indian cultural influence, which began in the 1st century. Over time, particularly between the 12th and 15th centuries, the Apsara dance evolved to reflect a distinctly Khmer identity. Through the addition of unique movements and deeper meanings, it became a cultural symbol during the early Angkor era.
Indonesia, with its vast size and diverse cultural influences, is home to a remarkable array of traditional dances. While dozens of these dances can be found across the archipelago, a few have gained prominence for their uniqueness and storytelling. Traditional Indonesian dances vividly reflect the nation's rich cultural diversity. In Bali, three famous dances - the Sanghyang (Trance), Kecak (Monkey Dance), and the Fire Dance - stand out. Each of these tells captivating stories of bringing peace, unity, and harmony to local villages.
Visitors to Laos who explore ethnic villages will often find themselves immersed in the basics of local dances, which play a key role in the cultural life of the community. Lamvong, for instance, is a well-known dance where men form an inner circle surrounded by women in an outer circle, moving gracefully in rhythm. Each ethnic group in Laos has its distinct dances, shaped by their unique beliefs, legends, and traditions.
In Viet Nam, traditional dance is a profound expression of the nation’s culture and history. Featuring graceful and fluid movements, these dances often depict elements of nature, such as flowing rivers and blooming flowers, or daily activities like boat rowing and silk washing. Popular dances include the conical hat dance, the fan dance, the royal lotus dance, and the ancient drum dance.
In which paragraph is the role of natural elements in Vietnamese traditional dances mentioned?